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One day, while looking unsuccessfully for a deleted version of T&T (https://wordpress.com/view/josephpetrillo.wordpress.com), I came across the following. It records my musings several years ago while riding the train from Sacramento to San Francisco.

I took the train from Sacramento to San Francisco. The tracks ran through Susuin Marsh. I recall a time in my life when I would have moved Heaven and Hell to prevent even one acre of a wetland from falling beneath the blade of a bulldozer. Of course, I fully understand and agree with the intellectual, economic and ethical reasons for their preservation. At times when great flocks of birds fly screeching above the vegetation or mucking about in the shallows or at certain times of the year when they are bathed in the colors of spring or autumn, one can almost breathe in the tendrils of poetic inspiration rising from their fetid depths.

On the other hand at times like this, when the skies are overcast and grey, the vegetation a sickly yellow-brown and the waters a dingy black, I can understand a man coming upon them and thinking, “What a waste.” He would, I suspect, be likely to aspire to kill it in order to create something that would profit him more than basking in the glow someone else’s idea of aesthetic pleasure.

I would like to think most women coming upon the same marsh would dream instead about how the marsh itself could benefit them and their families without killing it first.

Being male, today those same marshes look like shit to me. I would not mind seeing them disappear beneath the antiseptic familiarity of a few Starbucks or MacDonald’s or the like. By the time we left the marshes behind and chugged into Richmond, however, I changed my mind and decided that, if I were not the one making the money from the deal, I would prefer leaving the wetlands pretty much as they are.

At night at my sister’s house in Berkeley, I began reading Sheldon’s newest novel “The Terrorist Next Door.” Its main character is a cop who, I suspect, to the disappointment of his Jewish parents, failed to become a doctor, lawyer or famous writer of mystery novels and ended up a Chicago homicide detective. He is teamed up with a black partner in a relationship reminiscent of that between Danny Glover and that famous anti-semite Mel Gibson in the “Lethal Weapon” series of movies.

There are three things I noticed and appreciated about the novel. First, it is an incomparable travelogue about Chicago (one should read the book with a map of the city nearby). Second is what one learns about Michelle Obama, a girl from the neighborhood. Third, Sheldon, in his own good-hearted and upbeat way, puts his finger upon the essential flaw in the American character and gives you a glimpse of how good things can be without it and how truly and horribly destructive it really is.

For those of you familiar with and aficionados of the Siegel cannon, he began his writing career trying to write a novel about a young Jewish attorney wrongfully accused of the murder of one of his partners, a fictional stand-in for a partner of ours at the time whose removal both Sheldon and I agreed probably would immeasurably benefit humanity. Alas, in his writing of the initial drafts, this character was overwhelmed by a fast-talking Irish criminal lawyer and his estranged Chicana attorney wife. This resulted in the beloved character’s prominence being eclipsed. He disappeared entirely by the third novel in the series; even his name is now lost to memory.

)My experience is similar to Sheldon’s. I attempted to write a mystery “Dominium” (https://papajoesfables.wordpress.com/dominion-an-unfinished-and-never-published-novel/). The main character, a stand-in for yours truly, managed to come across as a boring jerk. He was ultimately replaced in interest and importance by a musclebound bisexual female deputy sheriff from San Mateo County.

Detective David Gold is made of stronger stuff. I see and hope for Gold’s career to be at least as long and as distinguished as Kaminsky’s Abe Lieberman, also a Chicago detective and also a disappointment to his parents.

I suspect Sheldon always wanted to write a novel with Chicago, the city he grew up in, as a setting.

I have visited Chicago only a few times. Nevertheless, for me given my ethnic heritage, it has always been one of the sacred places; like Umberto’s Clam House in New York’s Little Italy. For over a decade the stain remained on the sidewalk where, having staggered out of the restaurant after being shot, Joey Gallo fell down and bled to death. Every year, I would make an annual pilgrimage there until time and the City’s acid-laced rains erased every vestige of the epic event.

Chicago was the home of the sainted Scarface Al. Alas, I have never visited any of the pilgrimage sites there; such as Murphy’s Garage. I sometimes wonder whatever happened to the relics of my legendary ethnic heroes. Are they in a museum somewhere? Where now, for example, are the artifacts such as Anastasia’s barber chair, Mo Green’s massage table, St. Frank’s used condoms, Deano’s shot glass, and Mario Puzo’s typewriter? And, while I am at it, where have you really gone Joe DiMaggio? And, why did Tony Benedetto, (nee Bennet), a New Yorker who chose to live in LA, decide to leave his heart in SF?

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